I AM WHOLE

I AM WHOLE: Charity Fundraiser and Awareness Event:

Music 4 Mental Health

Roundhouse, London 2018.

We provided the set design and staging, alongside Bluman Associates lighting vision. The event was hosted by Rizzle Kicks; feat. Ed Sheeran, Ann Marie, James Arthur, Ella Eyre, Olly Murs and Special Guests.

Photography courtesy of Bluman Associates.

BLACK CREEK MUSIC FESTIVAL

Black Creek Music Festival

Toronto 2011

For Mark Fisher OBE MVO RDI, we provided design, 2d and 3d modelling, visuals and vendor management into delivery. This design incorporated bespoke and rental structure to create a new seasonal stage for rock and opera concerts held in Rexall Stadium in Toronto. It hosted acts such as Placido Domingo, Sondra Radvanovsky, Tony Bennett, Diana Krall, James Taylor, Helen Mirren and Jeremy Irons.

RUN DMC: Raleigh Ritchie

RUN DMC & Raleigh Ritchie

La Scala London, UK, 2015

We provided full set design for this one-off reunion of RUN DMC, part nostalgic party, part tribute to their lost band mate JMJ. The intimate venue, and small stage, held our LED backdrop and floor, suspended LED posts, to create video content running out into the audience. Hosted by Vodafone, also celebrating 30 years, with intro tunes by fantastic female VJ. Thanks to Producer, Barbara Walker, at Wasserman Group for asking us to be involved!

FAST & FURIOUS LIVE

FAST & FURIOUS LIVE

UK & EUROPE, 2017

We enjoyed providing the full production design for this first time out touring arena show. Based on the multi million selling Fast and Furious, it features all of the big fan favourite moments from the whole film series. Working alongside Stage One Creative Services and Brilliant Stages, we designed the rolling, bouncing and burning fuel tanker, tank, racing buggies, falling water tower, power tower, Vegas style neon signs, amongst many other giant and crazy objects. There was a train that elongated, flew out and allowed a car to be slid sideways onto a trailer alongside, and the giant projection screen had various openings to allow the vehicle movements to flow with the tracking projection and story.

The crescendo of the show was a giant Antonov nose, breaking through the screen, firing a super car onto the stage…..all in a days work, of course. On site, we supported the set suppliers in providing scenic painting, scenic and prop amends and additions. We continued adapting and problem solving with the video and creative team, through the whole development of the show, to see it through to delivery.